Pop Art experienced real success in the 1960s and was very influential in the fields of painting, sculpture, photography and graphic art. The movement also allowed for questioning the values and beliefs of society at the time and paved the way for other artistic movements such as conceptual art and minimalism. Pop Art had a significant impact on contemporary art and contributed to the democratization of art by using images accessible to all and highlighting the most commercial aspects of popular culture. Claes Oldenburg created sculptures in the form of everyday consumer products such as cigarettes and hamburgers. Roy Lichtenstein took the style of comic strips in his works, while James Rosenquist used images of advertising in his large-scale mural paintings. Andy Warhol, considered the father of Pop Art, is known for his paintings of Campbell's soup cans and movie stars like Marilyn Monroe. The main artists of Pop Art are Andy Warhol, Roy Lichtenstein, James Rosenquist and Claes Oldenburg. This movement is characterized by the use of patterns and images drawn from popular culture, such as comic strips, advertisements and everyday consumer products. At the same time, the reversed images have a haunting, ghostlike quality, lending this painting a mood of retrospection that is characteristic of much of the artist's late work, from his shadow paintings to his self-portraits and skulls.Pop Art is an artistic movement that emerged in the United States in the 1950s and developed in the 1960s. The quantity of repetition in One Hundred and Fifty Multicolored Marilyns expresses most clearly the potentially unlimited replication of this-or any-image. Marilyn Monroe had first appeared in Warhol's work in 1962, the year of the actress's death that year alone, he had made numerous silkscreened paintings using the same iconic photograph of the doomed starlet, with her lips parted and eyes appearing seductively heavy-lidded, in different configurations, from a single image set on a gold field ( Gold Marilyn), to a diptych, to a grid of 25 Marilyns. More than 10 meters across, One Hundred and Fifty Multicolored Marilyns is one of the largest of these works and features one of the artist's best-known celebrity subjects. In his Retrospectives and Reversals of the late 1970s, Warhol took up as his subject his own earlier artworks, resurrecting many of the most well-known silkscreened images of his Pop period-Campbell's soup cans, Elvis, cows, the Mona Lisa-and combining them or reversing their colors to produce negative images. His embrace of subjects traditionally considered outside the realm of fine art-from celebrity worship to food labels-has been interpreted as both an exuberant affirmation of American culture and an uncritical espousal of the "low." He used found printed images from newspapers, publicity stills, and advertisements as his subject matter and adopted silkscreening, a technique of mechanical reproduction, as his medium. Like other Pop artists, Warhol aligned himself with the signs of contemporary mass culture. He thus distanced himself from the mythic role assigned the Abstract Expressionist artist, whose spontaneous gestural application of paint on canvas was seen as an expression of the artist's spiritual aspiration and incisive poetic vision. Andy Warhol announced his disengagement from the process of aesthetic creation in 1963: "I think somebody should be able to do all of my paintings for me," he told the critic Gene R.
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